In 2008, iLike's founders were in talks for Apple to acquire it. The website and Facebook app no longer exist. In April 2009, iLike renamed this application to simply "Music" to maintain consistency with other Facebook apps. A similar feature was also available for the Bebo network. With the launch of Facebook Pages, iLike created pages for bands. As of November 2007, iLike had more than 15 million users. The application had great success after its release, making it one of the most popular applications on the Facebook Platform.
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ILike had a free Facebook application which allowed users to play clips of music they like on their profile, show concerts they are going to and play a music trivia quiz. ILike received private funding from contributors including Ticketmaster, Khosla Ventures, Bob Pittman as well as various other investors. Īs of February 7, 2012, the iLike website has been closed, and instead redirects users to a special MySpace Music page which displays a banner announcing the closure. On August 19, 2009, it was announced that MySpace was to acquire iLike.
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In October 2007, iLike announced that it was teaming up with Billboard to create new charts that display the week's top 25 "most added" songs to personal music libraries. iLike also built a "post-once publish-everywhere" dashboard for artists – major label artists as well as independent artists. According to the latest statements by the company, over 60 million consumers registered to use iLike either directly on or using the apps built by iLike for third-party social networks such as Facebook. The site attracted around half a million users in the first four months after it was launched. The program and sidebar are not required in order to use the site but allow for ease in discovering new artists.
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The website made use of a sidebar that is used with Apple's iTunes or Microsoft's Windows Media Player.
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The dark songs of Savoir Faire can compete with any love song, any day.ILike was an online service that allowed users to download and share music founded by brothers Ali Partovi and Hadi Partovi.
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So no love songs, no feel good songs for Sarah Fard.”Īnd that’s just fine. I write about what I need to musically vent about. “The jazz music that I listened to influence the chord structures I use to write, some of how I sing, but most of those songs are love songs,” Fard noted. Open mic host Tom Bianchi deserves a handshake and hug for pushing Fard to move on from jazz standards, from those old love songs to contemporary themes. It became the title to the EP when Fard realized she echoed the theme of thinking twice (about implicated bias regarding race and gender) in the other tracks, “Alias” and “Sweet.”įrom the smart, intense lyrical content to tender-to-raging guitar, the noir rock vocal delivery to note perfect production from Dave Brophy, “Think Twice” works because it feels so authentic, so natural. The song “Think Twice” started as a look at the recent hostilities between the United States and Iran – Fard is half first-generation Iranian American – and the negative stereotypes the media too often runs with when conflicts between the two governments flare up. “I always found the artists I like, musically and lyrically, have critical things to say about our social structures, artists like the Police, Muse, Jewel, and my favorite, Fiona Apple.” “My music isn’t feel good songs and, especially now, some people want feel good songs,” Fard said with a little laugh. The solos – the push and pull of pretty melody and amplified discord – fit hand in glove with lyrics that stare into the darkness of modern life, example, “Tell me something that I want to hear/Get them drunk and fill their cups with fear/Well, this is not a feel good song/So process this and move along.” She spins guitar solos with bits borrowed from jazz master Joe Pass but also Persian scales and all shades of rock (classic, indie, prog and art, to name a few).
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The three tracks on “Think Twice” hint at Fard’s jazz chops. This week, she’ll play a couple more originals when she headlines Atwood’s as Savoir Faire – the Saturday show celebrates Savoir Faire’s EP release, “Think Twice.” “Tom came up to me at the end of one of the open mics and said, ‘You’re really good, but you have to play original music to win the door money.’”Ī few weeks later, Fard played a couple of originals and won the door money. “I would go to every open mic I could find every day of the week when I first moved to Boston (from New Hampshire), but I was still doing jazz standards, which was an odd thing to be doing at all these dive bars,” Fard told the Boston Herald. But Lizard Lounge open mic host Tom Bianchi did.
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Fard didn’t realize she needed her own compositions to elevate her art. Sarah Fard spent a few years suppressing songwriting instincts in favor of performing decades-old jazz tunes around Boston.